Timothy Tate (PhD) Redundant audio technologies including magnetic-tape, turntables and early samplers are classed as low fidelity audio technologies. Today a minority of practitioners favour these technologies, using hacking/circuit bending techniques to build new instruments, …
Kevin Purcell (DMA) This research will develop design practices, or strategies, that provide relevant, creative solutions to expand the live orchestral and musical theatre experience beyond the common practice of stage performance alone. The intention …
Mauricio Iregui (PhD) This project, Immersive Audio-visual Objects: New Opportunities at the Intersection of Electronic Music and Interactive Visual Media, queries how we experience sound and moving image, with a particular emphasis on immersivity. The …
Nelson Vermeer (PhD) This research explores how a workflow be developed to allow for design co-creation, entity mapping, the discovery of analogous question-solution pairs across disciplines based on ideation synthesis through the generation of invention …
David Harris (PhD) There has not yet been a good descriptive accounting of the nature and form of existing art and science collaborations although some informal sketches have been outlined and such an accounting has …
Rae Cooper (DVA) This research aims to further establish the position of visual communication design as an agent of meta-systemic political engagement. It responds to the question: “How can visual communication design visualise disillusionment with …
Anastasia Tyurina (PhD) This research involves aesthetic approaches to scientific microphotography. Scientific photography is commonly perceived as a way of recording scientific data through techniques such as photomicrography, high-speed photography, time-lapse photography, x-ray photography, aerial …
Daniel Della-Bosca (PhD) This research explores the ideas of complexity as borrowed from the sciences and in turn adapted to help understand some aspects of the creation and perception of art and design. This exploration …
