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<\/figure>\n<\/div>\n\n\nThe book is available in two electronic formats: Kindle (mobi<\/a>) & Apple Books or Adobe Digital Reader (ePub<\/a>)<\/p>\n\n\n\n Sound Musicianship: Understanding the Crafts of Music Chapter One: Musicianship in a Globalised World Section I: Technological Perspectives: Understanding Music as Sound and Data<\/strong><\/p>\n\n\n\n Chapter Two: Musical Sounds and Musical Signals Chapter Three: Sound Analysis and Musicology Chapter Four: Computation and Music Chapter Five: Musicianship in the Digital Age Chapter Six: Musicianship after Data: Virtuosity as Hyperindustrial Skill Section II: Psychological Perspectives: Understanding Music Perception and Imagination<\/strong><\/p>\n\n\n\n Chapter Seven: Psychoacoustics and Cognition for Musicians Chapter Eight: Musicianship and the Brain Chapter Nine: Cognitive Tools to Understand Musical Organisation Chapter Ten: From Sound to Symbol: A New Pitch for Developing Aural Awareness M\u00edche\u00e1l Houlahan and Philip Tacka<\/em><\/p>\n\n\n\n Chapter Eleven: How Musical is Man? An Evolutionary Perspective Chapter Twelve: Musicianship for Meaningful Engagement Section III: Physical Perspectives: Understanding Musical Gesture and Space<\/strong><\/p>\n\n\n\n Chapter Thirteen: Demonstrating Musical Knowledge Chapter Fourten: Movement and Musical Expression Chapter Fifteen: Instrument Making as Music Making: A Slow Food Approach to Musicianship Chapter Sixteen: Expressive Musical Interface Design Chapter Seventeen: Embodied, Situated and Distributed Musicianship Chapter Eighteen: Sonic Ecologies Section IV: Cultural Perspectives: Understanding Music as Human Construction<\/strong><\/p>\n\n\n\n Chapter Nineteen: Music Education for a World of Stylistic Plurality and Blending Chapter Twenty: The Roles of Music and Culture in Children\u2019s Lives Chapter Twenty One: Online Musical Cultures Chapter Twenty Two: SoundArt and Performativity Chapter Twenty Three: Notating Music and Sound Chapter Twenty Four: Ah, Music. A Magic Beyond All We Do Here! Section V: Educational Perspectives: Learning Music and Developing Musicianship<\/strong><\/p>\n\n\n\n Chapter Twenty Five: Democratic Musical Learning: How the Participatory Revolution in New Media Challenges the Culture of Music Education Chapter Twenty Six: Electroacoustic Ear Training Chapter Twenty Seven: A Tale of Creative Learning: jam2jam as a Tool for Understanding the Role of Music in Media Chapter Twenty Eight: Sound Media Musicianship Chapter Twenty Nine: A Musicianship for the Recording Studio Chapter Thirty: Thoughts on the Training of a Music Student at University Level The book is available in two electronic formats: Kindle (mobi<\/a>) & Apple Books or Adobe Digital Reader (ePub<\/a>)<\/p>\n","protected":false},"excerpt":{"rendered":" Sound Musicianship is a book I edited for music educators and musicians about musicianship\u2014about musical skills, abilities, habits, sensibilities and understandings. Like most crafts, music requires a balance of theoretical knowledge and practical skills that …<\/p>\n","protected":false},"author":1,"featured_media":752,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[15],"tags":[],"class_list":["post-751","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-education"],"_links":{"self":[{"href":"https:\/\/www.explodingart.com\/arb\/wp-json\/wp\/v2\/posts\/751","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.explodingart.com\/arb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.explodingart.com\/arb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.explodingart.com\/arb\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.explodingart.com\/arb\/wp-json\/wp\/v2\/comments?post=751"}],"version-history":[{"count":3,"href":"https:\/\/www.explodingart.com\/arb\/wp-json\/wp\/v2\/posts\/751\/revisions"}],"predecessor-version":[{"id":755,"href":"https:\/\/www.explodingart.com\/arb\/wp-json\/wp\/v2\/posts\/751\/revisions\/755"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.explodingart.com\/arb\/wp-json\/wp\/v2\/media\/752"}],"wp:attachment":[{"href":"https:\/\/www.explodingart.com\/arb\/wp-json\/wp\/v2\/media?parent=751"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.explodingart.com\/arb\/wp-json\/wp\/v2\/categories?post=751"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.explodingart.com\/arb\/wp-json\/wp\/v2\/tags?post=751"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
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Table of contents<\/p>\n\n\n\n
Andrew R. Brown<\/em><\/p>\n\n\n\n
Joe Wolfe<\/em><\/p>\n\n\n\n
David Hirst<\/em><\/p>\n\n\n\n
Heinrich K. Taube<\/em><\/p>\n\n\n\n
Andrew Hugill<\/em><\/p>\n\n\n\n
James Tobias<\/em><\/p>\n\n\n\n
Richard Parncutt<\/em><\/p>\n\n\n\n
Dawn L. Merrett and Sarah J. Wilson<\/em><\/p>\n\n\n\n
Ir\u00e8ne Deli\u00e8ge<\/em><\/p>\n\n\n\n
John C. Bispham<\/em><\/p>\n\n\n\n
Steve Dillon<\/em><\/p>\n\n\n\n
Jane Davidson<\/em><\/p>\n\n\n\n
Geoff Luck and Petri Toiviainen<\/em><\/p>\n\n\n\n
Koji Matsunobu<\/em><\/p>\n\n\n\n
Bert Bongers<\/em><\/p>\n\n\n\n
David Borgo<\/em><\/p>\n\n\n\n
Dami\u00e1n Keller<\/em><\/p>\n\n\n\n
Jim Chapman<\/em><\/p>\n\n\n\n
Andrea Emberly<\/em><\/p>\n\n\n\n
Hugh Brown<\/em><\/p>\n\n\n\n
Kersten Glandien<\/em><\/p>\n\n\n\n
Robert Davidson<\/em><\/p>\n\n\n\n
Gillian Wills<\/em><\/p>\n\n\n\n
Heidi Partti and Heidi Westerlund<\/em><\/p>\n\n\n\n
Eldad Tsabary<\/em><\/p>\n\n\n\n
Eva S\u00e6ther and Per Sk\u00f6ld<\/em><\/p>\n\n\n\n
Greg Jenkins, Lloyd Barrett and Andrew R. Brown<\/em><\/p>\n\n\n\n
Paul Draper<\/em><\/p>\n\n\n\n
Richard Vella<\/em><\/p>\n\n\n\n