{"id":15,"date":"1990-09-17T15:29:37","date_gmt":"1990-09-17T15:29:37","guid":{"rendered":"https:\/\/www.explodingart.com\/arb\/?page_id=15"},"modified":"2026-02-09T09:54:24","modified_gmt":"2026-02-09T09:54:24","slug":"publications","status":"publish","type":"page","link":"https:\/\/www.explodingart.com\/arb\/publications\/","title":{"rendered":"Publications"},"content":{"rendered":"\n

Books<\/strong>
\u2022 Brown, A. R. & Ruthmann, S. A. 2020. Scratch Music Projects<\/a>. New York: Oxford University Press
\u2022 Brown, A. R. 2015. Music Technology and Education: Amplifying Musicality<\/a>. New York: Routledge.
\u2022 Manaris, B., & Brown, A. R. 2014. Making Music with Computers: Creative Programming in Python<\/a>. Parkway, NW: CRC Press.
\u2022 Brown A. R. (Ed.) 2012. Sound Musicianship: Understanding the crafts of music<\/a>. Newcastle upon Tyne: Cambridge Scholars Press.
\u2022 Brown A. R. 2007. Music Education and Computers: Amplifying Musicality. New York: Routledge.
\u2022 Brown, A. R. 2005. Making Music with Java: An introduction to computer music, Java programming, and the jMusic library<\/a>. Raleigh, North Carolina: Lulu.
\u2022 Dillon S. & Brown A. 2001. Retro Rock Charts and Retro Rock Style Guide. Sydney, Australia: Currency Press.
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Book Chapters
<\/strong>\u2022 Brown, Andrew R. 2024. \u201cThe Impossible Box: Building a DIY Groovebox on a $10 Microcontroller.\u201d In Innovation In Music: Innovation Pathways, edited by Russ Hepworth- Sawyer, Justin Paterson, Rob Toulson, Jan-Olof G\u00fcllo, and Dave Hook. London, UK: Focal Press.
\u2022 Thiedeke, Peter, John Ferguson, and Andrew R. Brown. 2024. \u201cLILIUM: A Post-Digital Cine-Mural.\u201d In The Space of Image: Architectural Experience through Media. Intellect.
\u2022 Brown, A. R. 2022. New Interfaces for Musical Expression: Instrument Making as Music Learning. In A. Sutherland, Southcott, Jane, & L. De Bruin (Eds.), Revolutions in Music Education: Historical and Social Explorations (pp. 271\u2013286). Lexington Books.
\u2022 Connell, K., Brown, A. R. & Baker, S. 2020. \u201cThe Rise and Fall of Professional Singers: A Typology of Creative Career Stages in the Performing Arts.\u201d In Handbook on the Geographies of Creativity (pp. 200-215), edited by Anjeline de Dios and Lily Kong. Cheltenham, UK: Edward Elgar Publishing.
\u2022 Bown, O. & Brown, A. R. 2018. \u201cInteraction Design for Metacreative Systems.\u201d In New Directions in Third Wave Human-Computer Interaction: Volume 1 \u2013 Technologies (pp. 67\u201387), edited by Michael Filimowicz and Veronika Tzankova. Human\u2013Computer Interaction Series. Cham, Switzerland: Springer.
\u2022 Brown, A. R., Keller, D. & de Lima, M-H. 2018. \u201cHow Ubiquitous Technologies Support Ubiquitous Music.\u201d In The Oxford Handbook of Community Music, edited by Lee Higgins and Brydie-Leigh Bartleet, 131\u201351. Oxford: Oxford University Press.
\u2022 Brown, A. R. 2018. \u201cAlgorithms and computation in music education.\u201d In A. McLean & R. T. Dean (Eds.), The Oxford Handbook of Algorithmic Music (pp. 583\u2013602). New York: Oxford University Press. Retrieved from https:\/\/zenodo.org\/record\/1193546
\u2022 Brown, A. R. 2018. Algorithms and computation in music education. In A. McLean & R. T. Dean (Eds.), The Oxford Handbook of Algorithmic Music (pp. 583\u2013602). New York: Oxford University Press.
\u2022 Brown, A. R. 2016. \u201cGame technology in the music classroom: A platform for the design of music and sound.\u201d In A. King & E. Himonides (Eds.), Music, Technology, and Education: Critical Perspectives (pp. 122\u2013133). Oxford: Routledge.
\u2022 Brown, A. R. 2015. \u201cEngaging in a sound musicianship\u201d, in G. McPherson, (Ed.), The Child as Musician: A handbook of Musical Development, pp. 208\u2013220, New York: Oxford University Press.
\u2022 Brown, A. R., Stewart, D., Hansen, A., & Stewart, A. 2014. “Making Meaningful Musical Experiences Accessible Using the iPad.” In D. Keller, V. Lazzarini, & M. S. Pimenta (Eds.), Ubiquitous Music. Switzerland: Springer-Verlag, pp. 65-82.
\u2022 Brown, A. R., & Nelson, J. 2013. Digital music and media creativities. In P. Burnard (Ed.), Developing Creatives in Higher Music Education: International perspectives and practices. Abingdon, Oxford: Routledge, 61-74.
\u2022 Brown, A. R., & Dillon, S. 2012. \u201cMeaningful Engagement with Music Composition.\u201d In The Act of Music Composition: Studies in the Creative Process, edited by David Collins, 79\u2013110. Surrey, UK: Ashgate.
\u2022 Brown, A. R. 2012. Musicianship in a Globalised World. In A. R. Brown (Ed.), Sound Musicianship: Understanding the Crafts of Music (pp. 1\u201313). Newcastle upon Tyne: Cambridge Scholars Press.
\u2022 Jenkins, G., Barrett, L., & Brown, A. R. 2012. Sound Media Musicianship. In A. R. Brown (Ed.), Sound Musicianship: Understanding the Crafts of Music (pp. 335\u2013345). Newcastle upon Tyne: Cambridge Scholars Press.
\u2022 Jones, D., Brown, A. R., & d\u2019 Inverno, M. 2012. \u201cThe Extended Composer: Creative reflection and extension with generative tools.\u201d In, J. McCormack & M. d\u2019 Inverno (Eds.) Computers and Creativity (pp. 175\u2013203). London: Springer.
\u2022 Brown, A. R., & Dillon, S. 2012. Collaborative Digital Media Performance with Generative Music Systems. In G. McPherson & G. Welch (Eds.), The Oxford Handbook of Music Education (Vol. 2, pp. 549\u2013566). New York: Oxford University Press.
\u2022 Brown, A. R., Wooller, R. and Miranda, E. R. 2011. Evolutionary Morphing for Music Composition. In, A-Life for Music: Music: Music and Computer Models of Living Systems. E. R. Miranda, Ed. Middleton, WI, A-R Editions: 115-132.
\u2022 Brown, A. R. and Sorensen, A. 2009. Integrating Creative Practice and Research in the Digital Media Arts. In, Dean, R. and Smith, H. Practice-Led Research, Research-Led Practice in the Creative Arts. Edinburgh: Edinburgh University Press, pp. 253-265.
\u2022 Brown, A. R. and Dillon, S. C. 2007. \u201cNetworked Improvisational Musical Environments: Learning through online collaborative music making.\u201d In Finney, J. and Burnard, P. (Eds.) Music Education with Digital Technology. London: Continuum, pp. 96-106.
\u2022 Dillon, S. C. and Brown A. R. 2006. The Art of ePortfolios: Insights from the creative arts experience. In Jafari, A. and Kaufman, C. Handbook of Research on ePortfolios. Hershey, PA: Idea Group, pp. 418-431
\u2022 Interviews with Paul Lansky and Steve Reich, In Cope, D. 1998. New Directions In Music (7th Edition). Prospect Heights: Waveland Press.<\/p>\n\n\n\n

<\/p>\n\n\n\n

Journal Articles<\/strong><\/p>\n\n\n\n

\u2022 Brown, A. R. and Ferguson, J. 2024. DIY Musical Instruments and Communities: From Handmade Electronic Circuits to Microcontrollers and Digital Fabrication. Journal of Ubiquitous Music 1(1), 8\u201322.
\u2022 Brown, A. R., Bennett, A., Ferguson, J., and Strong, C. 2024. Diverse Sound Practices: An exploration of experimental electronic music in regional Australia. Organised Sound 28(3), 362\u2013371.
\u2022 Brown, A. R. 2023. Live Coding Patterns and a Toolkit for Pure Data. Organised Sound 28(2), 264\u2013275.
\u2022 Brown, A. R., & Ferguson, J. 2020. \u201cBeat Machine: Embracing the Creative Limitations and Opportunities of Low-Cost Computers.\u201d Leonardo Music Journal, 30, 8-13
\u2022 Brown, A. R. 2018. Creative Improvisation with a Reflexive Musical Bot. Digital Creativity, 29(1), 5\u201318.
\u2022 Brown, A. R., Gifford, T., & Voltz, B. 2016. Stimulating Creative Partnerships in Human-Agent Musical Interaction. Computers in Entertainment, 14(2).
\u2022 Brown, A. R. 2016. Performing with the other: The relationship of musician and machine in live coding. International Journal of Performance Arts and Digital Media, 12(2), 179\u2013186.
\u2022 Ferguson, J., & Brown, A. R. 2016. Fostering a post-digital avant-garde: Research-led teaching of music technology. Organised Sound, 21(02), 127\u2013137.
\u2022 Manaris, B., Brown, A. R., & Stevens, B. 2016. JythonMusic: An environment for teaching algorithmic music composition, dynamic coding, and musical performativity. Journal of Music, Technology and Education, 9(1), 33\u201356.
\u2022 Brown, A. R., Gifford, T. and Davidson, R. 2015. Techniques for Generative Melodies Inspired by Music Cognition. Computer Music Journal 39 (1): 11\u201326.
\u2022 Stefan, J., & Brown, A. R. 2015. Generative Music Video Composition: Using automation to extend creative practice. Digital Creativity, 26(2): 110-120.
\u2022 Adkins, B., Bartleet, B-L., Brown, A. R., Foster, A., Hirche, K., Procopis, B., Ruthmann, S. A., et al. 2012. Music as a tool for social transformation: A dedication to the life and work of Steve Dillon (20 March 1953 \u2013 1 April 2012). International Journal of Community Music, 5(2), 189\u2013205.
\u2022 Adkins, B., Knox, M., Dillon, S. and Brown, A. R. 2012. Digital technologies and cultural participation for people with intellectual disabilities. New Media and Society, 14(7): 501-518.
\u2022 Brown, A. R., & Dillon, S. 2012. eBILITY: From Tool Use to Partnerships. Journal of Music Technology in Education 4, (2 & 3): 201\u2013215.
\u2022 Brown, A. R. 2012. Experience Design and Interactive Software in Music Education Research. Visions of Research in Music Education, 20. http:\/\/www-usr.rider.edu\/~vrme\/v20n1\/.
\u2022 Wooller, R. & Brown, A. R. 2011. Note sequence morphing algorithms for the performance of electronic dance music. Digital Creativity, 22(1): 13-25.
\u2022 Livingston, S., Muhlberger, R., Brown, A. R. and Thompson, W. F. 2010. Changing Musical Emotion: A Computational Rule System for Modifying Score and Performance. Computer Music Journal 34(1): 41-64.
\u2022 Brown, A. R. & Sorensen, A. 2009. Interacting with Generative Music through Live Coding. Contemporary Music Review 28(1): 17-29.
\u2022 Collins, N. & Brown, A. R. 2009. Generative Music Editorial. Contemporary Music Review 28(1): 1-4.
\u2022 Dillon, S., Adkins, B., Brown, A. R. and Hirche, K. 2008. Communities of Sound: Generative music making and virtual ensembles. International Journal of Community Music 1(3): 357-374.
\u2022 Brown, Andrew R. 2007. Software development as music education research. International Journal of Education & the Arts, 8(6). http:\/\/www.ijea.org\/v8n6\/index.html
\u2022 Livingstone, S. R, M\u00fchlberger, R., Brown, A. R., Loch, A. 2007. Controlling Musical Emotionality: An Affective Computational Architecture for Influencing Musical Emotions. Digital Creativity 18(1), pp. 43-54.
\u2022 Brown, A. R. 2006. Code Jamming. M\/C Journal 9.6, http:\/\/journal.media-culture.org.au\/0612\/03-brown.php
\u2022 Brown, A. R. & Dillon, S. 2006. ePortfolios in Arts Learning and Assessment. Music Education Research and Innovation 12(1): 7-36.
\u2022 Brown, A. R. & Voltz, B. 2005. Elements of Effective e-Learning Design. International Review of Research in Open and Distance Learning, vol.6, no.1, http:\/\/www.irrodl.org\/index.php\/irrodl\/article\/view\/217\/300
\u2022 Brown, A. R. 2004. An aesthetic Comparison of Rule-based and Genetic Algorithms for Generating Melodies. Organised Sound, Vol. 9 (2), pp. 191-198.
\u2022 Nalder, G., Dillon, S., Smith, J., & Brown, A. R. 2004. \u201cArt Education for a \u2018tele-matic\u2019 future\u201d Australian Art Education, Journal of the Australian Institute of Art Educators. Vol. 27(1), 2004, pp. 56-71.
\u2022 Brown, A. R. 2001. Modes of Compositional Engagement. Mikropolyphonie, Vol. 6. http:\/\/farben.latrobe.edu.au\/mikropol\/volume6\/brown_a\/brown_a.html (available at http:\/\/eprints.qut.edu.au\/archive\/00000168\/ and archived at http:\/\/pandora.nla.gov.au\/tep\/10054)
\u2022 Towsey, M., Brown, A., Wright, S., & Diederich, J., 2001. Towards Melodic Extension Using Genetic Algorithms. Educational Technology and Society Vol. 4 (2). April 2001. http:\/\/ifets.massey.ac.nz\/periodical\/vol_2_2001\/v_2_2001.html
\u2022 Brown, A. R. 1999. Music, Media and Making: Humanising digital media in music education. International Journal of Music Education, Vol. 33: 3-9.
\u2022 Brown, A. R. 1998. Composing by Pen: Using pen input for computer music notation. Australian Journal of Music Education, 1998, No. 1, pp. 48-56.
\u2022 Brown, A. R. 1995. Digital Technology and The Study of Music. International Journal of Music Education, Vol. 25: 14-19.
\u2022 Brown, A. R. 1994. Teaching Synthesizer Performance. Research Studies in Music Education Vol. 3:25-35.<\/p>\n\n\n\n

<\/p>\n\n\n\n

Conference Papers<\/strong><\/p>\n\n\n\n

\u2022 Brown, A. R. 2025. \u201cMaximum Silence to Noise: Sound Synthesis for Responsive Gestural Control.\u201d In Proceedings of the New Interfaces for Music Expression Conference. Canberra, Australia: NIME.
\u2022 Brown, A. R. 2024. \u201cRule-Based Algorithmic Music in an Age of Generative AI.\u201d In Proceedings of the Australasian Computer Music Conference. Melbourne\/Sydney: Australasian Computer Music Association.
\u2022 Brown, Andrew R., Nick Coleman, and Ben Silver. 2024. \u201cEndless Moments: Generative Music in the Browser.\u201d In Proceedings of the 4th International Conference on Digital Creation in Arts, Media and Technology. Macao, China.
\u2022 Brown, A. R. 2023. The Impossible Box: Building a DIY Groovebox on a $10 microprocessor. Innovation In Music Conference 2023. Edinburgh, UK.
\u2022 Brown, A. R. 2022. \u201cOn Board Call: A Gestural Wildlife Imitation Machine.\u201d In Proceedings of the New Interfaces for Musical Expression Conference. Wellington, New Zealand: NIME.
\u2022 Vermeer, N. & Brown, A. R. 2022. \u201cGenerating Novel Furniture with Machine Learning.\u201d In Artificial Intelligence in Music, Sound, Art and Design, edited by Tiago Martins, Nereida Rodr\u00edguez-Fern\u00e1ndez, and S\u00e9rgio M. Rebelo, 401\u201316. Cham: Springer International Publishing.
\u2022 Brown, A. R., & Ferguson, J. 2021. \u201cEnhancing DIY Musical Instruments with Custom Circuit Boards.\u201d In Proceedings of UbiMus 2021. Matosinhos, Portugal: UbiMus.
\u2022 Norilo, V. & Brown, A. R. 2021. \u201cPi-Shaker: A New Workflow for Augmented Instruments.\u201d In Proceedings of the International Computer Music Conference, 102\u20137. Santiago, Chile: ICMA.
\u2022 Brown, A. R. 2019. \u201cGendynish: Stochastic Synthesis on the Arduino.\u201d In Proceedings of the International Symposium on Electronic Art<\/em>, 638\u2013639. Gwangju, Korea: ISEA International.
\u2022 Brown, A. R., Ferguson, J. & Bennett, A. 2019. \u201cCooperative Experimentalism: Sharing to Enhance Electronic Media.\u201d In Proceedings of the International Symposium on Electronic Art, 480\u201383. Gwangju, Korea: ISEA International.
\u2022 Brown, A. R. 2019. \u201cGenerative Content Creation: Lessons from Algorithmic Music Performance.\u201d In Proceedings of the Eleventh International Conference on Creative Content Technologies. Venice, Italy: IARIA. https:\/\/www.iaria.org\/conferences2019\/CONTENT19.html.
\u2022 Kalonaris, S., Gifford, T. & Brown, A. R. 2019. \u201cComputational Aesthetics and Music: The Ugly, the Small and the Boring.\u201d In Proceedings of the International Workshop on Musical Metacreation. Charlotte, SC: ICCC.
\u2022 Brown, A. R., Horrigan, M., Eigenfeldt, A., Gifford, T., Field, D. & McCormack, J. 2018. \u201cInteracting with Musebots.\u201d In Proceedings of New Interfaces for Musical Expression, 19\u201324. Blacksburg, VA: NIME.
\u2022 Manaris, Bill, Pangur Brougham- Cook, Dana Hughes, and Andrew R. Brown. 2018. \u201cJythonMusic: An Environment for Developing Interactive Music Systems.\u201d In Proceedings of the New Interfaces for Musical Expression Conference, 259\u201362. Blacksburg, VA: NIME.
\u2022 Eigenfeldt, Arne, Andrew R Brown, Oliver Bown, and Toby Gifford. 2017. \u201cDistributed Musical Decision-Making in an Ensemble of Musebots: Dramatic Changes and Endings.\u201d In Proceedings of the International Conference on Computational Creativity, 88\u201395. Atlanta, GA: Association for Computational Creativity.
\u2022 Brown, A. R. 2016. Understanding Musical Practices as Agency Networks. In Proceedings of the International Conference on Computational Creativity. Paris: Association of Computational Creativity.
\u2022 Brown, A. R. 2016. Ripples: A human-machine musical duet. In Proceedings of the 4th International Workshop on Musical Metacreation. Paris: Musical Metacreation.
\u2022 Eigenfeldt, A., Bown, O., Brown, A. R., & Pasquier, P. 2016. Flexible Generation of Musical Form: Beyond Mere Generation. In Proceedings of the International Conference on Computational Creativity. Paris: Computational Creativity.
\u2022 Brown, A. R. 2016. Making Musical Mates: A story of digital craftsmanship. In Proceedings of DIS 2016 \u2013 Fuse (Vol. Digital Craftsmanship: HCI Takes on Technology as an Expressive Medium). Brisbane, Australia: ACM.
\u2022 Brown, A. R. 2014. Tactical Temporalities. In Proceedings of The Second Conference on Computation, Communication, Aesthetics and X. Porto, Portugal: 26-27 June 2014. http:\/\/2014.xcoax.org\/
\u2022 Brown, A. R., & Gifford, T. 2013. Prediction and Proactivity in Real-Time Interactive Music Systems. In Musical Metacreation: Papers from the 2013 AIIDE Workshop (pp. 35\u201339). Presented at the Ninth AAAI Conference on Artificial Intelligence and Interactive Digital Entertainment, Boston, USA: AAAI.
\u2022 Gifford, T., & Brown, A. R. 2013. Cybernetic Configurations: Characteristics of Interactivity in the Digital Arts. In Proceedings of the 19th International Society for Electronic Arts (p. 1-3). Sydney: ISEA International.
\u2022 Brown, A. R., Gifford, T., & Voltz, B. 2013. Factors affecting audience perceptions of agency in human-computer musical partnerships. In Proceedings of Creativity and Cognition 2013, Sydney: UTS.
\u2022 Brown, A. R., Gifford, T., & Davidson, R. 2013. Amplifying Compositional Intelligence: Creating with a psychologically-inspired generative music system. In Proceedings of the International Computer Music Conference, Perth: ICMA, pp. 257-360.
\u2022 Brown, A. R. 2012. Creative Partnerships with Technology: How creativity is enhanced through interactions with generative computational systems. Proceedings of the Eighth Annual AAAI Conference on Artificial Intelligence and Interactive Digital Entertainment. Presented at the 1st International Workshop on Musical Metacreation, Stanford, CA: AAAI.
\u2022 Reid, C., & Brown, A. R. 2012. Accelerometer-based digital musical instrument. In, Hitchcock, M. (ed.) Proceedings of Interactive: The Australasian Computer Music Conference, Brisbane, Australia: The Australasian Computer Music Association.
\u2022 Kerr, T., & Brown, A. R. 2012. jam2jam XO: An educational generative music activity for the OLPC XO. In Proceedings of Interactive: The Australasian Computer Music Conference. Presented at the Interactive: The Australasian Computer Music Conference, Brisbane, Australia: Australasian Computer Music Association.
\u2022 Gifford, T., & Brown, A. R. 2011. Beyond Reflexivity: Mediating between imitative and intelligent action in an interactive music system. Paper presented at the 25th BCS Conference on Human-Computer Interaction. Newcastle Upon Tyne, UK.
\u2022 Opie, T. and Brown, A. R. 2011. Eco-Structuralism in Practice. Australasian Computer Music Conference. Auckland, Australasian Computer Music Association, pp. 89-95.
\u2022 Gifford, T. and Brown, A. R. 2011. Beyond Reflexivity: Mediating between imitative and intelligent action in an interactive music system. BCS HCI 2011: What can Music Interaction tell us about HCI?, Newcastle Upon Thyme.
\u2022 Opie, T. and Brown, A. R. 2010. Aesthetic Implications Of The Eco-Structuralist Process. In Australasian Computer Music Conference, Canberra. Opie, T. (ed.), Australasian Computer Music Association, pp. 43-50:
\u2022 Gifford, T. and Brown, A. R. 2010. Anticipatory Timing In Algorithmic Rhythm Generation. Australasian Computer Music Conference, Canberra: Australasian Computer Music Association, pp.21-28.
\u2022 Brown, A. R. 2010. Network Jamming: Distributed Performance using Generative Music. New Instruments for Musical Expression, Sydney: pp.283-286.
\u2022 Brown, A. R. and Gifford, T. 2010. Interrogating Statistical Models of Music Perception. International Conference on Music Perception and Cognition (ICMPC 11), Seattle, Washington: pp.715-717.
\u2022 Adeney, R. and Brown, A. R. 2009. Performing With Grid Music Systems. Improvise: The Australasian Computer Music Conference, Brisbane: Australasian Computer Music Association, pp.102-110.
\u2022 Barrett, L. and Brown, A. R. 2009. Towards a definition of the performing AudioVisualist. Improvise: The Australasian Computer Music Conference, Brisbane, Australia: Australasian Computer Music Association, pp.46-55.
\u2022 Brown, A. R. 2009. SoundCipher: A music and sound library for Processing. International Computer Music Conference, Montreal: International Computer Music Association, pp.431-434.
\u2022 Brown, A. R., Dillon, S., Kerr, T. and Sorensen, A. 2009. Evolving Interactions: Agile design for networked media performance. OzCHI, Melbourne, Australia: CHISIG, pp.41-48
\u2022 Brown, A. R., Gifford, T., Narmour, E. and Davidson, R. 2009. Generation in Context: An Exploratory Method for Musical Enquiry. The Second International Conference on Music Communication Science, Sydney: HCSNet, pp.7-10.
\u2022 Brown, A. R. and Kerr, T. 2009. Adaptive Music Techniques. Improvise: The Australasian Computer Music Conference, Brisbane, Australia: Australasian Computer Music Association, pp.26-31.
\u2022 Opie, T. and Brown, A. R. 2009. Eco-Structure Data Forms: Classification Of Data Analysis Using Perceived Design Affordances For Musical Outcomes. Improvise: The Australasian Computer Music Conference, Brisbane, Australia: Australasian Computer Music Association, pp.123-129.
\u2022 Wooller, R. and Brown, A. R. 2009. TraSe Algorithm \u2013 Automatic Evolutionary Morphing Of Electronic Dance Music. Improvise: The Australasian Computer Music Conference, Brisbane, Australia: Australasian Computer Music Association, pp.64-71.
\u2022 Gifford, T. and Brown, A. R. 2009. Do Androids Dream of Electric Chimera? Improvise: The Australasian Computer Music Conference, Brisbane, Australia: Australasian Computer Music Association, pp.56-63.
\u2022 Sorensen, A. and Brown, A. R. 2008. A Computational Model For The Generation Of Orchestral Music In The Germanic Symphonic Tradition: A progress report. Sound: Space \u2013 The Australasian Computer Music Conference, Sydney: Australasian Computer Music Association, pp. 78-84.
\u2022 Hedemann, C., Sorensen, A. and Brown, A. R. 2008. Metascore: User Interface Design for Generative Film Scoring. Sound: Space \u2013 The Australasian Computer Music Conference, Sydney: Australasian Computer Music Association, pp. 25-30.
\u2022 Gifford, T. and Brown, A. R. 2008. Stochastic Onset Detection: an approach to detecting percussive attacks in complex audio. Proceedings of Sound: Space \u2013 The Australasian Computer Music Conference, Sydney: Australasian Computer Music Association, pp. 19-24.
\u2022 Adkins, B., Dillon, S., Brown, A. R., Hirche, K. and Gibbons, C. 2007. The Role of Generative Arts in Supporting Cultural Participation: A conceptualisation of the jam2jam network Jamming Tool. 13th International Conference on Virtual Systems and Multimedia (VSMM), Brisbane: The International Society on Virtual Systems and MultiMedia, pp.1-9.
\u2022 Brown, A. R. and Sorensen, A. 2007. Dynamic Media Arts Programming in Impromptu. Creativity & Cognition 2007, Washington, DC. ACM Press, pp. 245-246.
\u2022 Brown, A. R., Wooller, R. and Thomas, K. 2007. The Morph Table: A collaborative interface for musical interaction. In A. Riddel and A. Thorogood (eds.) Trans: Boundaries \/ Permeability \/ Reification \u2013 The Australasian Computer Music Conference. Canberra, Australia: Australasian Computer Music Association, pp. 34 \u2013 39.
\u2022 Sorensen, A. and Brown, A. R. 2007. aa-cell in practice: an approach to musical live coding. In, International Computer Music Conference. Copenhagen: International Computer Music Association, pp: 292-299.
\u2022 Yuille, J., Forwood, M., Brown, A. R., Sade, G., Jenkins, G. and Weight, J. 2006. senseMix: sharing creative mobile content. The 8th conference on Human-computer interaction with mobile devices and services. Helsinki, Finland: ACM press, pp. 271-272.
\u2022 Opie, T. and Brown, A. R. 2006. An Introduction to Ecostructuralism. International Computer Music Conference. New Orleans: ICMA, pp. 9-12.
\u2022 Gifford, T. and Brown, A. R. 2006. The Ambidrum: Automated Rhythmic Improvisation. In S. Wilkie and C. Haines (eds.) Medi(t)ations: Australasian Computer Music Conference. Adelaide: International Computer Music Association, pp. 44-49.
\u2022 Gerber, A. and Brown, A. R. 2006. Visualising Music with Impromptu. In S. Wilkie and C. Haines (eds.) Medi(t)ations: Australasian Computer Music Conference. Adelaide: Australasian Computer Music Association, pp. 38-43.
\u2022 Mafe, D. and Brown, A. R. 2006. Emergent Matters: Reflections on Collaborative Practice-led Research. In Vella, R. & Haseman, B. (Eds) Speculation and Innovation. http:\/\/www.speculation2005.net\/
\u2022 Wooller, R., Brown, A. R., Miranda, E., Diederich, J. and Berry, R. 2005. A framework for comparison of processes in algorithmic music systems. Generative Arts Practice, Sydney, Creativity and Cognition Studios Press, pp. 109-124.
\u2022 Livingstone, S. R., A. R. Brown, and Muhlberger, R. 2005. Influencing the Perceived Emotions of Music with Intent. In, Innocent, T. (Ed.) Third Iteration, Melbourne: Centre for Electronic Media Arts, pp. 161-170.
\u2022 Wooller, R. and A. R. Brown. 2005. Investigating Morphing Algorithms for Generative Music. In, Innocent, T. (Ed.) Third Iteration, Melbourne: Centre for Electronic Media Arts, pp. 189-198.
\u2022 Brown, A. R. 2005. Extending Dynamic Stochastic Synthesis. Free Sound: Proceedings of the International Computer Music Conference. Barcelona, International Computer Music Association, pp. 111-114.
\u2022 Livingstone, S. R. and Brown, A. R. 2005. Dynamic Response: Real-time adaptation for music emotion. In proceedings of The Second Australasian Conference on Interactive Entertainment. Sydney: Creativity & Cognition Studios Press, pp. 105-111.
\u2022 Livingstone, S. R., Muhlberger, R. and Brown, A. R. 2005. Playing With Affect: Music performance with awareness of score and audience. In T. Opie and A. R. Brown (eds.) Australasian Computer Music Conference. Brisbane, Australia: Australasian Computer Music Association, pp. 92-98.
\u2022 Brown, A. R. 2005. Generative Music in Live Performance. In T. Opie and A. R. Brown (eds.) Australasian Computer Music Conference, Brisbane, Australia: Australasian Computer Music Association, pp. 23-26.
\u2022 Brown, A. R. 2005. Exploring Rhythmic Automata in Rothlauf, F. et. al. (eds) Applications of Evolutionary Computing. Berlin: Springer, pp.551-556.
\u2022 Brown, A. R. 2004. \u201cPlaying with Dynamic Sound\u201d In the proceedings of Interaction: Systems, Practice and Theory. Sydney: Creativity and Cognition Studios Press, pp. 435-450.
\u2022 Brown, A. R. & Jenkins, G. 2004. \u201cThe Interactive Dynamic Stochastic Synthesizer\u201d In, Norris et al. (Eds). Australasian Computer Music Conference. Wellington, NZ: ACMA, pp. 18-22.
\u2022 Smith, J., Dillon, S., Nalder, G. & Brown, A. R. 2004. \u201cDigital multimedia portfolios supporting authentic learning in the Arts\u201d in the proceedings of ePortfolio \u2013 2004 \u2013 Transforming individual and organisational learning, October 28-29 2004: La Rochelle, France.<\/p>\n","protected":false},"excerpt":{"rendered":"

Books\u2022 Brown, A. R. & Ruthmann, S. A. 2020. Scratch Music Projects. New York: Oxford University Press\u2022 Brown, A. R. 2015. Music Technology and Education: Amplifying Musicality. New York: Routledge.\u2022 Manaris, B., & Brown, A. …<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-15","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.explodingart.com\/arb\/wp-json\/wp\/v2\/pages\/15","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.explodingart.com\/arb\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.explodingart.com\/arb\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.explodingart.com\/arb\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.explodingart.com\/arb\/wp-json\/wp\/v2\/comments?post=15"}],"version-history":[{"count":36,"href":"https:\/\/www.explodingart.com\/arb\/wp-json\/wp\/v2\/pages\/15\/revisions"}],"predecessor-version":[{"id":966,"href":"https:\/\/www.explodingart.com\/arb\/wp-json\/wp\/v2\/pages\/15\/revisions\/966"}],"wp:attachment":[{"href":"https:\/\/www.explodingart.com\/arb\/wp-json\/wp\/v2\/media?parent=15"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}